Like Lawrence and other disillusioned travellers, Graham
Greene was shocked by the sharp contrast between the promising image and the grim
reality of Mexico during his travels. ‘The Power and the Glory’ by Graham
Greene portrays Eliot’s vision of a “cactus land”, peopled by souls who are
lost, who find themselves surrounded by shattered images of a forsaken faith. The
novel draws a parallel with T.S. Eliot’s poem ‘The Hollow Men’. The hollow men
wander about in a desolate landscape, trying to remember the line after “For
Thine is the kingdom” in the Lord’s prayer. The phrase happens to be ‘The Power
and the Glory’.
According to Shelden, “The hollow man in Greene’s novel
finds that he is the last representative of God in a land, which recognizes
neither His Power nor His Glory.” The images of seediness present throughout
the novel presents before us a closed world of sin, suffering and death which
defines and is defined by the protagonist inescapably caught in it.
‘The Power and the Glory’ is a story of a priest whose
martyrdom lies in his consciousness of his own weakness, his own sin. Stripped of
his vocation, the priest is an old Greene hero, isolated and bewildered. A fugitive
from justice, he is aware of his own inadequacies, “O God forgive me – I am a
proud, lustful, greedy man.” As the novel progresses we find that the whiskey-priest’s
life becomes a series of missed opportunities, as he finds himself bound to his
own callings.
The novel prepares us from the very beginning for the very
transformation of the priest from a sinner to a martyr. His career is a
contrast to Pinkie’s in ‘Brighton Rock’. While Pinkie descends and is
brutalized, the priest ascends and is humanised. Moving in a world saturated
with decay and corruption, the priest discovers the image of God. Basically,
this novel is a narrative of human weaknesses triumphing over death into
martyrdom, regarding which Greene has left his readers questioning and
controverting.
In the opinion of T.S. Eliot, “The glory of man lies not
merely in his capacity for salvation, it is true to say that his glory is his
capacity for damnation.” In a similar way, the novel evokes the agonizing
confusion of life in the twilight region between salvation and damnation.
“Between
the idea
And the reality,
Between the motion
And the act
Falls the shadow.” (The Hollow Men - T.S. Eliot)
For Graham Greene, as far as the characters were concerned, the
question of them being right or wrong, good or bad, was immaterial. What
mattered was their capacity for damnation, to obtain the grace of God.
‘The Power and the Glory’ refers on one hand, to the
tussle between “the power of the state” and “the glory of the Church”, while on
other hand, it refers to the whiskey-priest, who under the most degenerating of
circumstances, exercises his religious power to reach the glory that is nothing
short of sainthood. The characters in Greene’s novels are not abstract ideas,
but men in real life. By embracing martyrdom, the priest purifies the state of
the Church in a diseased and decaying country.
After the whiskey-priest is assassinated, another priest
arrives in the town, suggesting that the institution of the Catholic Church cannot
be done away with – it is the Power and Glory of God which survives. It is the
divine grace which works in a mysterious way and lifts souls fit for damnation,
like that of the whiskey-priest, to sainthood.
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